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The music starts very slowly It is an eight-beat time cycle called Kaherva and performed in the following manner: on the first beat your own sticks are hit together, followed by right sticks with your partner, then left sticks (or the same stick if using one). At the end of the line, each turns and joins the line opposite, so the movement is continuous.
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The lines move clockwise, and each person steps forward to hit sticks with their partner, then moves on two people. Generally two lines are formed, with partners facing each other: Men and women traditionally play dandiya-raas and the dance operates in pairs, meaning the group must contain an even number. Mers of Saurashtra performing Dandiya Raas Format The 8 teams with the highest cumulative bid point total are invited to the national RAS competition. Each competition awards the top three teams, 1st, 2nd, and 3rd place with 4 bid points, 2 bid points, and 1 bid point, respectively. Eight teams are then selected and invited to compete by the board of each individual competition. The application commonly includes an audition video of the team displaying a dance to three songs.
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In order to compete under the RAS organization, teams must submit applications to the certified competitions, known as Bid Competitions, by a set deadline. The competition season for Garba-Raas takes place at the beginning of each calendar year (January to April). They are responsible for certifying eligible competitions and hosting the national championship at the end of each season. Raas all-stars is the national organization under which the collegiate Garba-Raas competitions and teams functions. On stage the dance is described as "very intense and high-energy: (1) the music is usually a faster tempo than the other forms of Garba-Raas discussed previously, (2) dancers are taught a form of fast head-bobbing, (3) manic smiles are pasted on each dancer in order to emphasize enthusiasm to judges". Routines are commonly constructed with a theme that is presented throughout the dance through props and special effects. Teams are expected to be in traditional Garba-Raas clothing. All dancers are required to be college students but may attend a different college from which they are representing. The structure competition dance consists of 12-16 dancers who perform 8-9 continuous dances which are a combination of Garba, dandiya-raas, and tran tali. Ĭollegiate Garba-Raas Team in Traditional Clothing The Garba-Raas Competition Dance Jessica Falcone points out that dancers prefer to identify the new dance style as a branch of Garba and Dandiya-raas but in reality she states that intercollegiate Garba-Raas is transforming into its own dance style. Similarities that remain between the traditional style and the competitive style are the clothing, the music, and the basics moves. The new evolved style is described in further detail below under “ The Garba-Raas Competitive Dance Style”. In order to turn this social dance into a competitive activity, many aspects of the dance, such as the formations, the moves, and structures, have changed. The competitive form is described as “.competitive sport, rather than an inclusive, ritualistic dance form, the need to "entertain" has become increasingly paramount” by Falcone. Garba-Raas is traditionally a recreational social dance form that is done in large groups. Comparing the Traditional Dance Style to the Competitive Dance Style As of 2020, the organization consists of over 40 collegiate Garba-Raas teams nationwide. Furthermore, a cohesive national organization for Garba-Raas was established in 2009 called Raas All-stars (RAS). The Garba-Raas competitive dance style was further developed in the early 2000s by first generation Indian-American college students. Garba-Raas emerged as a competitive dance style due to the efforts of the Federation of Gujarati Associations of North America (FOGNA). Garba-Raas, more commonly known as Raas, is a combination dance style consisting of mainly Dandiya-Raas and some Garba. Element of dance is more prominent in the Raas while music is more prominent in Raasda. In Saurashtra, Raas is performed by the men and the dance performed by women is called as Raasda. Forms of Raas ĭandiya Raas, Gopgunthan Solanga Raas and Mer Dandiya Raas are the popular forms of Raas. Kapila Vatsyayan argued that aesthetic theory of the Rasa gives the underlying unity to the Indian arts. The word "Raas" comes from the Sanskrit word " Rasa", an aesthetic Indian concept related to emotions and feelings.